On November 10, the film Wind (The Wind , 1928) turned 80 years of its release. Occasion of this anniversary, this blog has been (and will) time open to your suggestions for analysis, tribute or point in relation to the tape of the U.S. leg of Sjöström. In waiting to publish, with some delay, some contributions, including his own, put here by David Holm, head of Silent Recanto , which several times has left us generously her words. Targeting
foot
One foot can sometimes give more information than a face. Dispense with words and sounds to convey emotions requires a little ingenuity:
When Letty Lige and, once married, are in the solitude of home, the man begins the approach to the consummation of marriage, but not be responsive Letty . Given this scenario, the husband decides to leave the room. Through door, the man waits for the moment while the woman is afraid. As an animal on the prowl, Lige her courage is anxious walking back and forth, the ride is quite different Letty, nervous, expectant, fearful. The foreground of the feet we processed a lot of information and avoids the inability to transmit sound. In addition to his gait, the level of our feet faces two beings: he a tough guy, reflected in its rugged and worn boots, and she, frail and helpless, with his immaculate shoes, practically brand new, shoes entirely inadequate to cope with the harsh desert. The man stops in his walk and immediately the girl belongs. Behold the ear to which I alluded earlier. Letty was disturbing to every step that crossed the physical division between the two rooms, silence means something, with hardly any time to ask whether her husband by accident desist in their efforts, a kick to throw the cup before angrily leaving the bedroom, just the crashing metal container wall as a symbol of patience filled, the order pending the outcome of events. We continue with the feet, the shoes are pivoted to be perpendicular to the door, to face, or rather, to accept reality. Steady progress of the boots, they stand to take the last drive after crossing the threshold of the door, then fine shoes that seemed resigned to give a meaningful, so significant as small, step back. When both pairs are finally confronted, Letty's right foot, recoils slightly, evidence that is not meeting desired and also shows that their ability to avoid this is really small.
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